摘要
本文对现存于韩国的唐乐做了一个简单的整理。由于传入朝鲜半岛的唐乐形式主要是宋朝的大曲和词乐,本文就以大曲和词乐为重点进行了论述。大曲和词乐在进入朝鲜半岛以后,并不是一成不变的被传承的,而是根据当时的情况、需求和能力进行了一系列的变化,使得大曲的结构越来越简单,唐乐的特征越来越模糊,逐渐走上了乡乐化的道路。
The article sorted out the Dangak existed in Korea at present.Since the main form of Dangak introduced to the Korean Peninsula were Da Qu(a large music cycle performance) and Ciyu e(music of Ci poems) in Song Dynasty,this paper discussed both of them as topic points.After Da Qu and Ciyue into the Korean,they were not inheritance with constant,however,they carried out a series of changes to suit to the circumstances,needs and abilities,which made the structure of Da Qu more simple and features of Dangak unclear,they gradually on a way of Hyangak in the end.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2011年第4期315-322,共8页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
唐乐
大曲
唐乐呈才
词乐
步虚子
乡乐化
Dangak
Da Qu(a large music cycle performance)
ciyue(music of ci poems)