摘要
王铎的草书创作,手法上擅用涨墨,显得由浓到淡、由湿渐干,形成了强烈的节奏感;章法上以茂密取胜,结字俯仰翻侧、欹斜反正,有着极强的白疏黑密的空间视觉效果;用笔上精微深入,加上结字、章法、墨法上的丰富变化,成功地解决了大幅作品"耐看"的难点,使书法的形式美得以更深的开掘,为明代书法演奏出一个响亮的尾声。
Wang Duo' s cursive writing, the way to use up the ink on the work, look to the light from dark, the dry from the wet, forming a strong sense of rhythm ; tricks to win on the dense, knot the word pitch overturned, Yi inclined anyway, there is a strong sparse black dense white space visual effects; pen on the subtle depth, coupled results words, the rules, ink changes on the rich, successful resolution of a substantial work, "engaging" the difficulties of the formal beauty of the calligraphy to be deeper digging for the Ming Dynasty calligraphy played a loud end.
出处
《河南科技大学学报(社会科学版)》
2011年第3期19-22,共4页
Journal of Henan University of Science & Technology(Social science)
关键词
书法
王铎
草书
calligraphy
Wang Duo
cursive