卑微的身体与普遍的美学——环境美学对传统美学范式的消解及其建构

The Unpresentable Body and Universal Aesthetics:On the Subversion of Environmental Aesthetics to Traditional Aesthetics

传统美学以视听知觉为其基本的感知结构,并因此构筑了以认知标准和独立性标准为特色的话语模式。环境美学从经验、理论和叙事三个方面对传统美学的感知结构和话语模式进行消解:在经验方面,是以身体的在场和感知联觉颠覆传统的视听感知结构;在理论方面,是以审美的经验论反对传统美学的形而上学话语;在叙事方面,则是以身体叙事解决传统美学在理论和经验上的沟壑。这三种策略的实质是通过身体的"卑微性"来削平传统美学的等级范式,以建构一种更加平等和具有普遍性的美学。

The traditional aesthetics made vision and audition its basically perceptive structure through which it built its hierachical discourse featured cognitive and independent standards.The environmental aesthetics hoped to overthrow the perceptive structure of traditional aesthetics from three aspects： Firstly,using attendant body and synaesthesia o overthrow traditional perceptive structure;Secondly,arguing against the metaphysics of traditional aesthetics according to aesthetic empiricism;Thirdly,making bodily narration a gap filling between body experience and theory.The nature of these three strategies is to build a more equal and universal aesthetics through the unpresentable body.