摘要
风意象是中国古代诗歌中出现最早、频率最高的意象之一,先秦的"诗骚"中即已出现,风貌各异;汉代诗人在新的时代背景下对风意象的类型、审美内涵、表现手法等进行了全方位的探索。本文论述了汉诗风意象对先秦风意象悲情色彩的继承与发展,及其丰富的审美内涵和重要影响。
"Wind"is one of the earliest appeared imagery in the Chinese ancient poem,and it is the most plentiful poem imagery in all of them.It has been appeared in Poem Scripture and Quyuan’s poems before Qin Dynasty,and had their own features;In the new age-background,the poets of the Han Dynasty explored generally the types of aesthetic meanings,expressional techniques of the wind imagery.With the exhaustive analysis of data,the thesis discussed the successions and developments that wind imagery of the Han dynasty come into sadness of poems before the Qin Dynasty;discussed the abundant aesthetic meanings and important influence of the wind imagery in the Han dynasty’s poems.
出处
《咸阳师范学院学报》
2011年第5期108-110,共3页
Journal of Xianyang Normal University
关键词
汉代
风意象
悲情
the Han dynasty
wind imagery
sadness