试析佛教“色”范畴对六朝诗学的影响

The Influence of Buddhist "Se" Category on Six Dynasties Poetics

佛教"色"范畴体现着色空不二的本体论和"以色观空"的方法论;色空不二的本体论启示六朝诗歌创作不弃物色,"声色大开",山水诗和宫体涛的兴盛;以色观空的方法论则促进了诗歌理论由"物感说"发展为"直观说",开拓出诗学理论研究的新境界。

＂Se＂ category of Buddhism manifests the ontology that＂Se＂ and ＂Sunya＇are not two matters and the methodology of ＂viewing Sunya by Se＂. The ontology affected the Six Dynasties poetry creation, which was＂sound and color opening greatly＂. The scenery poem and the palace poem were prosperous. At the same time, the methodology of poetics idea of renewal and development promoted the development of the theory from ＂feeling-of-the-things＂ to the theory of ＂viewing-directly＂. Thus, a new area of poetics fundamental research was explored.