艺术等同于人生——从“平面化”看“冯小刚现象”

The Aesthetic Features in Feng Xiaogang's Movies from the Perspective of "Complanation"

在全球化互动的后现代语境下,冯小刚影片所蕴含的消费主义趋势、多元的文化诉求、大众心态的认同、感情补偿效应等,有利于社会的整合与导进,是实现中国电影全球传播的重要文化策略。冯小刚雄厚的财力、急剧的发展势头、大胆求异、充满锐气的创作态度,预示着21世纪中国主流文化同冯小刚现象极其微妙的共生关系。

In the postmodern context, Feng Xiaogang＇s movies may facilitate social integration and develoment with their consumerism tendency, plural cultural demands, mass psychology approval, emotional Compensation and so on. His movies contribute to the dissemination of Chinese movies all over the world. Feng Xiaogang＇s abundant financial resources, strong momentum, boldness for difference and his vigor in work all indicate the subtle symbiotic relationship between the 21st-century Chinese mainstream culture and Feng Xiaogang as a movie director.