过渡中的渐进和蜕变——论陈忠实小说创作的嬗变

The Evolution and Sharp Changes in the Transition——On the Transmutation of CHEN Zhongshi's Novel Creation

在过渡阶段的陈忠实清醒地意识到文化背景和地域环境对于人物性格形成和命运走向的重要性。《梆子老太》、《到老杨树背后去》等作品已开始关注和着力刻画历史文化背景和地域环境对人物心理与命运的影响,并以建构人物的文化心理结构为创作重心;《蓝袍先生》的写作则预示了作家关于对民族命运的宏大命题的思考,使作家萌发了更为巨大的艺术"野心",因而诞生了创作一部"民族秘史"的初衷。作者对以往的创作进行了深刻的反思,同时又注重对文学经典的吸纳,终于如凤凰涅槃般地完成了长篇巨制《白鹿原》的创作。

CHEN Zhongshi in the transition acutely awares the important of cultural backgrounds and geographical environment for the formation and destiny trend of characters. Such works as Bang Zi Lao Tai,Dao Lao Yang Shu Bei Hou Que,etc. begin to pay attention to and delineate the influence of cultural backgrounds and geographical environment on characters＇ osvehology and destiny, and take the construction of characters＇ Lan Pao Xian Sheng indicates cultural and psychological structure the writer＇ s thinking about national sprout great artistic ＂ambitions＂, so coming into being the original as creative focus. The writing of destiny, which makes the writer intention of creating ＂a national secret history＂. The writer carries on a profound reflection on past works,and pays attention to absorbing literary classics ,finally completes the long masterpiece Bai Lu Yuan.