摘要
法国思想家和符号学家罗兰.巴尔特对观赏性强、影响力大的体育赛事和体育公共事件情有独钟,曾多次撰文对奇观体育所展示出来的体育奇观进行符号学分析。在其代表作之一《神话集》中以《摔角世界》开篇,初步构建了体育游戏的微观符号学分析体系。之后,他在"作为史诗的环法大赛"一文中,通过对环法自行车赛事无巨细的符号学分析,论述了这项法国现象级赛事的一般符号学意义。在为加拿大电视纪录片《体育与人类》创作的台本《什么是体育》中,通过对五种具有国家身份性质的体育运动内涵的解读,巴尔特集中论述了自己的体育符号思想,展示了其相对完善的体育赛事观。
Roland Barthes,the great French philosopher and semiotician,developed a special interest in spectator sports and influential public sport events.He published a number of articles on sports-as-spectacle and sporting spectacle.In ＂The World of Wrestling＂,the first essay in his Mythologies,Barthes gave a micro-semiotic analysis to wrestling.In ＂The Tour de France as Epic＂,also collected in the same book,he went a step further and,through meso-semiotic analysis,discussed the general significations demonstrated in the bicycle racing in France.Barthes＇ relatively complete semiotic views on sport events are embodied in ＂What is Sport＂,the script he wrote for a Canadian documentary film called Le Sport et les hommes which attempts to explore the phenomenology and poetics of five national sports.
出处
《体育科学》
CSSCI
北大核心
2011年第11期85-93,共9页
China Sport Science
基金
国家社会科学基金项目(11XTY004)
