摘要
中国山水画取材于自然实景,却不刻意于外在表象。正如唐代张璪所言:"外师造化,中得心源"。眼前"如画"的江山,只是一个参照,呈现于绢素上的林泉丘壑,则完全是画家因形、因势、因情、因境,经由"搜尽奇峰"、"笔参造化"而幻化出来的另一奇异"自然",即入画的"江山"。
Through 'naking scenary' or 'making illusion, Chinese landscape painters created marvelous spectacles beyond the nature. Based on the natural scenery, the Chinese landscape painting is illusory landscape between reality and imaginary, which is just the spirit of the Chinese art.
出处
《西安文理学院学报(社会科学版)》
2011年第5期40-42,共3页
Journal of Xi’an University(Social Sciences Edition)
关键词
如画
入画
笔参造化
不似之似
reality
illusion
making scenery
making illusion