反讽:女性的身体叙事——萧红与萧红小说论

Irony: Female Body Narrative:Xiao Hong and Xiao Hong's Novels

"身体叙事"是萧红文本的一个潜在的内容与姿态,在文本中,女性身体不仅成为萧红作品中的"生死场",而且更是小说获得内涵和意义的根本来源。萧红似乎对自身的情感与女性的命运有着超乎寻常的热情,女性独有的身体经验成为她从事文本建构的基本手段。生育、病痛与死亡是作家诠释女性"身体叙事"的独特视角,女性与男权社会乃至整个主导意识形态之间的联系与冲突成为身体的悖论。女性作家用反讽的姿态作了一次"致命的飞翔",在语言的狂欢与回忆的空间中获得身体与性别的认同。正是用这样一种方式,萧红将自己写进了文本———就像通过自己的奋斗嵌入世界和历史一样。

＂Body Narrative＂ is a potential content and attitude in the text of Xiao Hong. The female body is not only to be the ＂Life and Death＂ of Xiao Hong＇s works, but also to be the basic sources to acquire connotation and meaning of the novel. Xiao Hong seemed to have extraordinary enthusiasm about her own emotions and female＇s fate. The female＇s unique body experience and perspective has become her fundamental tool of taking up the text structure. Birth, illness and death are the unique perspectives for writers to explain female body narrative. The links and conflict between women and male-dominated society and even the whole leading ideology turned into the body paradox. This Woman writer made ＂the deadly fly＂ with a ironic gesture; she achieved identity on body and sexuality in the space of language revel and memory. It was in such a way that language of the carnival in the space and memory got the body and gender. In such a way Xiao Hong wrote herself into the text-as she was embedded in the texts of the world and history through her own struggle.