摘要
越剧《王子复仇记》以特有的唱腔演绎了莎士比亚的悲剧《哈姆雷特》,为世界莎剧舞台增添了一朵绚丽的越剧之花。越剧《王子复仇记》采用写意性的表现手法反映了《哈姆雷特》的悲剧精神,借助于越剧的唱腔展现了《哈姆雷特》中人物的性格、心理、行动,将越剧唱腔之美拼贴入《王子复仇记》的情节之中,显示出元叙事的特点。这种经过拼贴形成的具有元叙事特征的越剧美,不同于作为话剧的《哈姆雷特》的美学形态,实现了在虚拟、写意基础上的审美叠加。
Shaoxing opera The Prince's Revenge contributes a specific form of shakespeare on stage in theworld.It interprets Shakespeare's tragedy Hamlet with its unique aria and reflects the tragedy spirit of Hamlet by impressionistic technique of expression.It shows the characters'personality,psychology,action by the aria of Shaoxing opera and embeds the beauty of aria in the plot to display the characteristics of meta-narrative.This beauty of Shaoxing opera,which is different from the aesthetic form of modern drama,achieves the aesthetic nestification based on virtual and impressionistic style.
出处
《浙江社会科学》
CSSCI
北大核心
2011年第11期131-138,159-160,共8页
Zhejiang Social Sciences