摘要
本文对理查德.鲍曼及其表演理论的学理主张作了简要介绍,对该理论的实践可能性和实践业绩与缺憾进行初步探讨,并结合河湟"花儿"的演唱方式对该理论作了进一步解读,认为在研究地方民俗文化时,表演理论应与其他理论方法相结合,同时兼顾其地域性、民族性特点。
Richard Bauman and the main connotation of his performance theory are briefly introduced in this article.The practical possibility,practice performance and regret discount of this theory are preliminarily discussed and then a further explanation is made by combining with the singing styles of "Huar" in Hehuang district and then concludes that when we study local folk culture,the performance theory should be combined with other theories and methods as well as its regional and national characteristics.
出处
《青海民族研究》
CSSCI
北大核心
2011年第4期101-104,共4页
Qinghai Journal of Ethnology
关键词
表演理论
交流
实践
文本
“花儿”
performance theory
communication
practice
text
"Huar"