摘要
在价值取向上,中国现代审美主义思想与中国古代审美主义思想有着很大的差异,不再将审美的独立性理解成审美与生活隔绝的孤立性,不是将审美视为与"此在"人生相疏离的虚幻的"彼在",审美创造和审美研究以人的"此在"的生活为动力、为源泉。中国现代审美主义思想既不可能是中国古代凌空蹈虚的审美情怀的现代翻版,也不是对西方审美独立论思想的简单回应,只有将中国现代审美主义思想真正落实到具体的历史语境中来阐释,才能真正在"现代"的意义上把握"中国"现代审美主义思想的价值取向。
Chinese modern aestheticism,which varies greatly from Chinese ancient aestheticism on the value orientation, understands aestheticism independence no longer a solitary isolated aesthetic from real life,and regards aesthetic not as an illusory 'There' which alienates from 'Here',and its aesthetic creations and studies take 'Here'——the real life of human beings——as its driving force and source.Chinese modern aestheticism has neither a possibility of a modern copy of Chinese ancient illusory aesthetic feeling nor a simple respond to the thought of western aesthetic theory of independence.Only truly putting Chinese modern aestheticism under historical context can we make a fully understanding of the value of Chinese modern aestheticism in the sense of the modernity.
出处
《江海学刊》
CSSCI
北大核心
2011年第6期201-207,239,共7页
Jianghai Academic Journal