摘要
"六家词"因王先谦《诗馀偶钞》而得名,湘中六家词有向花间词风回归的趋势,词风柔婉艳冶;又在创作上与常州词派的理论遥相呼应,反映了一定社会内容。同时,六家词在风格上表现出一定的个体差异:或宗北宋,或宗南宋,或南北皆宗,未尽统一。尽管如此,湘中六家词人以其创作实绩促进晚清湖湘词坛的发展,并基本奠定了晚清湖湘词坛的审美倾向。
The "six writers'ci poets"(Sun Ding-chen,Zhou shou-chang,Li Qia,Wang Kai-yun,Zhang Zu-tong and Du Gui-xi) were named after their co-work.Its soft style presented the tendency back to "Hua-jian." It had also been impacted by "Changzhou group",which added the content of social issues.As a "synchronic" group,the six ci poets showed their own different characters: some of them learned from the Northern Song Dynasty(960-1127),others the Southern Song Dynasty(1127-1279),or both of them.
出处
《湖南城市学院学报》
2011年第5期76-80,共5页
Journal of Hunan City Univeristy
基金
湖南省哲学社会科学基金立项课题(09YBB070)
教育部人文社会科学研究青年基金立项课题(11YJC751113)
关键词
湘中六家词
花间词风
湖湘词坛
six ci poets in the Hunan
Hua Jian ci Poets style
Hunan ci Poets