摘要
就中国水墨画当下的发展形势而言,山水画相对式微。要扭转山水画发展的颓势,应重新强调其构图的重要性。在构思作画时,作画者要秉承为自然传神写照的精神,处理好画面中丰富与单纯的关系,措景繁杂时能加以统一,景物简单时则要立意丰富,如此,方能创作出复杂而不散乱、简约而不空洞的山水画。
Compared with wash paintings, landscape paintings in China suffer a relative decline. A way out of the situation is to reemphasize the importance of composition. In doing paintings, a painter is expected to describe the nature and convey her life- likeness, by maintaining a balanced relation between exuberance and simplicity. In other words, the complexity in a complicat- ed scene should be organized instead of random, and simple scene should have elaborate conception. Only in this way can a landscape painting which is orderly complex and meaningfully simple be accomplished
出处
《南京工程学院学报(社会科学版)》
2011年第3期34-37,共4页
Journal of Nanjing Institute of Technology:Social Science Edition
基金
2008年江苏省高校"青蓝工程"优秀青年骨干教师基金
关键词
丰富
单纯
复杂
简约
exuberance
simplicity
complexity
concision