摘要
《旅心》和《红纱灯》是穆木天和冯乃超旅日生涯的结晶,不仅情感特征更多地带上了日本"物哀"色彩,而且在朦胧幽玄的情调,对自然界声色的高度敏感,对音乐美的探索以及其象征主义中包孕浓厚的唯美色彩等等方面,都表现出对于日本文化的广泛吸收与交融。
Heart＇s Travel and Red Gauze Lantern,as the crystallization of Mu Mutian and Feng Naichao＇ Japanese career,showed more Japanese ＂sorrow＂ characteristics on the emotional expression.In the dim unseen mood,the highly sensitivity of natural voice and color,the exploration of musical beauty and a strong aesthetic tendency conceived in its symbolism all displayed their widely absorption and blend of Japanese culture.
出处
《重庆师范大学学报（哲学社会科学版）》
2011年第2期17-20,共4页
Journal of Chongqing Normal University Edition of Social Siences
基金
教育部社科基金项目"中日现代诗歌比较研究"(编号:08JA751044)的研究成果
