摘要
《良友》是一份结合新闻报道的图片杂志,其以图像为主的报道空间成为形形色色的身体出演的一处舞台。学者李欧梵曾在《上海摩登》中对《良友》杂志有过极富创见性的分析,但笔者认为,李氏的论述集中于都市现代性及消费文化的考察,即只关注到"舞台"上的"摩登"身体而遗忘或曰遮蔽了另一维度的异质性身体:苦难与暴行中的身体。因此本文重点考察了《良友》中这一"另类"身体,以期获取别样的发现。
Liangyou is a magazine with news pictures. The image-based reports became a stage of different bodies. For the magazine, the scholar Leo Oufan Lee had a wonderful analysis in his famous Shanghai Modern. But this paper believes that Lee's discussion focuses on the urban modernity and consumer culture. He only is concerned about the "modern" body on the "stage" and forgets the ones of another dimension: the body / bodies suffering torment and violence. So this paper focuses on the "alternative" body, in order to get a different kind of discovery.
出处
《同济大学学报(社会科学版)》
CSSCI
北大核心
2011年第5期65-69,76,共6页
Journal of Tongji University:Social Science Edition