摘要
在五六十年代香港经济发展的同时,电懋公司也在其国语都市电影中塑造了一个现代、活力的都市。其电影叙事的主题,大多以婚姻与家庭的故事为主,但大团圆结局中有着不少未能完全解决的矛盾,存在着可疑与生硬之处,这正反映了电懋国语都市电影的仪式感和乌托邦性质。
In the 1950＇s and 1960＇s when Hong Kong＇s economy had experienced a great development,the MP GI（Motion Pictures General Investment Film Company） created a modern and energetic city image in its mandarin urban movies.Most of the themes of these movies focus on marriage and family with many unresolved conflicts remaining in the happy endings,which presents as questionable and rigid.This paper attempts to conclude that this feature happens to reflect the ceremonial and the Utopian characteristics of the mandarin urban movies produced by the MP GI.
出处
《贵州大学学报（艺术版）》
2011年第3期22-25,35,共5页
Journal of Guizhou University Art Edition
关键词
电懋公司
都市电影
都市
乌托邦
娱乐
传统
婚姻
家庭
the MP ＆ GI
urban movie
city
Utopia
entertainment
tradition
marriage
family
