摘要
本文将从重农抑商与身体两方面对1949年后国产电影对香港与台湾社会的呈现方式进行分析,并试图从中找出呈现方式背后的思想根源,最后,联系当下国产片的呈现方式考察港台形象的变迁。
From the concept of valuing agriculture and despising business and the body theory,this paper makes an analysis on the way of how to present the society of Hong Kong and Taiwan in the homemade movies since 1949,and attempts to find out the root ideology hidden behind.And then this paper tries to study the shift of the image of Hong Kong and Taiwan in current homemade movies.
出处
《贵州大学学报(艺术版)》
2011年第3期26-30,共5页
Journal of Guizhou University Art Edition
关键词
香港
台湾地区
影像变迁
Hong Kong
Taiwan
the shift of image