摘要
本文重新审视被历史推到风口浪尖的国统区男演员新中国表演的开端,检视他们在新中国电影建构中的自我重塑以及在这一过程中所起到的不同作用,而这正是影响新中国电影的样态、银幕上的工农兵表演以及银幕内外男性气质建构的不可忽视的因素。
This paper examines the performance at the beginning of new China of those male actors in the KMT-governed region,who were pushed to the crest of the tide by the history,and studies their self-rebuilding in the movie construction of new China and their different functions in this period,while all these are important factors that have influenced the style,the screen worker-farmer-soldier performance,and the construction of male image in and out of the screen of the new China's movies.
出处
《贵州大学学报(艺术版)》
2011年第3期41-44,共4页
Journal of Guizhou University Art Edition
基金
2011年北京信息科技大学校基金项目"新中国电影的海外传播研究(1949-1966)"(项目编号:5026010941)的研究成果
关键词
改造
重塑
表演
reformation
rebuilding
performance