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评析丹麦海宁艺术中心的设计观念与形态 被引量:1

Concept & Morphology of The Herning Center
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摘要 丹麦海宁艺术中心首次将三个特色鲜明的文化机构结合在一起:海宁艺术博物馆、中西部室内乐乐团和"世界之基"展馆,为公众呈现出一个集聚了优秀艺术品和音乐的富有革新精神的集会场所。这座单层的建筑物将景观与建筑融合在一起,以"建造场所"为宗旨,以意大利艺术家皮埃罗·曼佐尼的作品和海宁纺织品工业历史为灵感来源,并在混凝土模板中加入防水布,用来在白色水泥外墙上压制出类似纺织品面料的质地。 The Herning Center of the Arts has for the first time combined three distinctine cultural institutions:the Herning Art Museum,the Mid West Ensemble and the Socle du Monde.The new Center is intended to be an innovative forum uniting visual art and music.The design fuses landscape and architecture in a one-level building that includes permanent and temporary exhibition galleries,a 150- seat auditorium,music rehearsal rooms,a restaurant, a media library,administrative offices and an active landscape.The design of the center aims at "building a site".In transforming the flat field,a new 40,000 sf. of landscape of grass mounds and pools concealing all the parking and service areas while shaping inspiring bermed landscape focusing on reflecting pools is positioned on the south.Herning's prominent relationship with textiles and art provided the inspiration for the design concept.A fabric theme is carried throughout the project from the shape of the building which resembles a collection of shirtsleeves viewed from above.Fabric tarps were inserted into the formwork to yield a fabric texture to the building's exterior walls of white concrete.
作者 陆轶辰
出处 《时代建筑》 2011年第5期130-139,共10页 Time + Architecture
关键词 场所建造 锚固 融合 衬衫衣袖 观念与形态 纺织品质感 贫困艺术 Building a Site Anchoring Fusing Shirtsleeves Concept & Form Fabric Texture Arte Povera
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