摘要
文章明确了坐具设计语意依附于语境,表达文化伦理内涵的角色定位,并选取了"垂足而坐的悬浮感"这个语意表达入手,分三层次进行剖析解读,得到一些清晰的设计线索,并和电影文学作品中的语意意象进行融合贯通,大设计学科间的融合对坐具语意研究的提升及家具设计学科内涵和外沿的拓展起着积极作用。
The essay explicates that chairs design semantics adhere to product context,and expresses the role orientation of cultural ethic connotation.Starting from the semantics of suspension feelings from sitting with foot dropping,some clear design schemes are obtained by analysis and interpretation from three levels.By blending with the semantic images of movie literary works,big design disciplines？blending plays a positive role in the improvement of chairs design semantics study and development of connotation and extension of furniture design.
出处
《家具与室内装饰》
2011年第10期42-43,共2页
Furniture & Interior Design
基金
江苏高校优势学科建设工程资助项目(PAPD)
关键词
语意
悬浮
垂足而坐
表象的空间
Product Semantic
Suspension
Sitting with Foot Dropping
Representation Space.
