从屠隆的情欲观看其文学思想的转变

Tu Long's Conversion of Literary Thoughts from the Perspective of His Passion Conception

屠隆是晚明文学由复古思想向性灵思想过渡的代表作家,他的文学理论和文学创作都带有明显的新气象。屠隆的情欲观对其文学思想的转变有着重要影响。屠隆早年受复古论影响并有所超越,注意到了复古派理论与创作的缺陷。后期,屠隆拈出性灵论并不断发展,以性灵"论文学,讲佛理",主张"文与道合为一"。与屠氏同时,论及"性灵"的不只他一人,他是其中最具代表性的一家。屠隆后期的狂放,是其理想与现实产生矛盾后沉迷佛道、追求自适、求解精神痛苦的"真情"流露。屠隆逐渐受禅宗思想的影响,个性张扬、思想激进。随着上述情欲观的发展变化与影响,屠隆开始要求文学表达一己真情,以创作符合("适")自我个性作为评价文学的标准,标志着他的文学思想亦相应转入性灵阶段。

Tu Long is a representative writer of the late Ming Dynasty,his thoughts converting from back-to-the-ancients to sexual-soul ideology and featuring prominent new characters in his literary theories and creation.Tu Long＇s conception of passion had an impact upon his literary thoughts.At his early years,he accepted the back-to-the-ancients theory and had noticed its inadequacies of creation.Later,he embraced sexual-soul theory and developed it,employed it to ＂discuss literature and preach Buddhism＂,and embraced the ＂unity of literature and Tao＂.Tu＇s unrestrained style in his late years showed the ＂true feelings＂ after he saw the contradictions between reality and ideality and pursued self-realization and spiritual dissolution.He advocated personality and radical thoughts,gradually influenced by Buddhism.With the development of such conception of passion,Tu came to express his own ideas to take the creation of self-personality as the evaluation standards of literature,marking his conversion of literary thoughts to sexual-soul ideology.