从富宁土戏剧目的历史变迁审视壮剧的人文意蕴——以《侬智高》、《螺蛳姑娘》、《阿寿还乡》为例

Examining the Culture Implication of Zhuang Drama from the History Changes of Funing Native Folk Drama Program: Take Nong Zhi Gao, Lady Snail,Return Home of A shou as Case Studies

云南壮剧分为富宁土戏、广南沙戏和文山乐西土戏三个分支,其中以富宁土戏历史最长,并且发展得最好最快。土戏在历史发展过程中出现了许多优秀剧目,从土戏上演初始的《侬智高》到建国后的《螺蛳姑娘》再到新时期的《阿寿还乡》,分别反映了不同时期的时代特色和审美情趣,反映了壮剧土戏与时俱进的特点,并且体现出了很高的民族伦理学价值。

Yunnan Zhuang nationality drama falls into three branches of Funing folk drama, Guangnan Sha drama and Wenshan Lexi folk drama, among them Funing folk drama enjoys long history and develops most rapidly and best. A lot of excellent drama programs appear in the development of native folk dramas. The drama from initial Nong Zhi C, ao, Lady Snail performed after the foundation respectively reflect different times characteristics, esthetic nationality ethic morals. of PRC to Return Home of A shou performed in new times interests, features of development with times and valuable