明清以来虞山绘画流变考

The Evolvement of the Yushan School of Painting Since the Ming and Qing Dynasties

元代画坛大家黄公望的山水画风及精神修为深受明清江南士人的推崇,明清两朝的虞山绘画也深受其影响。但自黄公望之后,明代虞山再无大家出现。而有清一朝,以王时敏、王翚为首的画坛因崇尚摹古画风而丧失了创新进取的精神;加之在社会风气影响下,文人情怀也由淡泊转向趋利,这些都导致虞山画派日趋没落。

HUANG Gong-wang,an outstanding painter from the Yuan Dynasty,was highly regarded for his landscape paintings as well as moral characters by scholars in Jiangnan area in the Ming and Qing Dynasties.Huang also had a fundamental influence on the formation and development of the Yushan school of painting in the Ming and Qing Dynasties.However,in the Ming Dynasty after Huang Gong-wang＇s time,no more painters from Yushan were well noted.When it came to the Qing Dynasty,the painting field lost the innovative spirit due to the great promotion of ancient painting styles made by the leading figures of the field WANG Shi-min and WANG Hui.In addition,affected by the social conduct at the time,the scholars and artists tended to be more concerned for fame and gain.All of these factors led to the gradual decline of the Yushan School of Painting.