小提琴协奏曲《梁山伯与祝英台》的叙事性特征

On Narrative Feature of the Violin Concerto Liang Shanbo and Zhu Yingtai

小提琴协奏曲《梁山伯与祝英台》在创作方面的成功经验对音乐创作具有重要的指导意义。本文从标题性、题材和体裁的选用、曲式结构的安排以及细节的处理四个方面,分析《梁山伯与祝英台》叙事性特征的表现。并将其与柴科夫斯基的幻想序曲《罗密欧与朱丽叶》进行比较分析,总结《梁祝》在叙事性方面的创作特点和创作经验。

The successful experience in the violin concertol iang Shanbo and Zhu Yingtai has a great guiding role in music composition. This paper provides an analysis of the narrative feature oLfi ang Shanbo and Zhu Yingtai from the following four aspects: the title, choice of subject matter and literary form, arrangement of melody composition and detailed treatment. Wha'ts more, a comparative analysis with Thakovsky's fantasia Romeo and Juliet is made and composing feature and experience of the narrative aspects is concluded as well.