清初“四王”艺术创作及画论思想对中国画发展的积极意义

The Creation of"Four Wangs"and Its Significance on Chinese Drawing History

"四王"作为美术史上的一个重要课题,在长期的学术研究当中存在着认识上表面化并有失偏颇的现象。"四王"所阐释的真正"仿古"含义,不是守旧,他们坚守"学古"、"崇古"的信念,最终的目的是"出古"、"化古"。今天,面对文化自觉、艺术自觉这样一个中国知识分子都应该思考的课题,当我们真诚地梳理、总结我们的艺术传统时,我们更应该重新审视"四王"的艺术创作及其画论思想在中国艺术传统链条上的独特价值和他们在中国文人画发展史上的重要地位。

There exists a cognitively superficial and divergent phenomenon in the study of'four Wangs', an important subject in the history of fine arts.What'four Wangs'illustrate the so-called'imitating the ancient'and'adoring the ancient'doesn't mean adherence to the old,but'learning from the ancient'and'adoring the ancient'for the sake of'from the ancient'and'to the ancient'.Nowadays,with'cultural consciousness'and'art consciousness',a subject all intellectuals in China should take a consideration,we should review its artistic creation,the unique value of its drawing theories in the chain of China's artistic tradition,and its important position in China's intellectual drawings.