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赋性异群芳 凌寒独妩媚——评漆雕世彩《荆州梅赋》

On "Ode to JingZhou'Plum" by QiDiao ShiCai
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摘要 赋作为中国传统韵文,极盛于两汉,魏晋后各代创作均有可观。民国以来,赋学研究虽不断,但创作冷清。荆州学人漆雕世彩,受地域文化影响,拟屈赋而摅情志,取得一定成就,尤其是《荆州梅赋》,借隆冬之际观赏友人创作墨梅的全过程,揭示了梅的丰姿神韵,寓示了对坚贞不屈节操的歆羡。 As one important literary form,poetic prose flourished in the Dynasties of Dong Han and Xi Han.From Wei dynasty on,writers created a lot of poetic proses.However,ever since the coming of Republic of China(A.D.1911),although poetic prose studies continued,creation of new poetic prose was deserted.Influenced by the regional culture,Jingzhou scholar,Qidiao Shicai loves Quyuan'poetic prose,imitates it,and creates some poetic prose.After observing the whole process of the painting of plum by a friend in midwinter,Qidiao created 'ode to Jingzhou'plum',in which he delineates the spirit of plum,revealing his praise to the moral integrity of being faithful and unyielding.
作者 胡光波
出处 《湖北理工学院学报(人文社会科学版)》 2008年第6期11-12,24,共3页 Journal of Hubei Polytechnic University(Humanities And Social Sciences)
关键词 漆雕世彩 《荆州梅赋》 楚文化 Qidiao Shicai 'ode to Jingzhou'plum' culture of Chu
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