1George Moore, Confessions of a Young Man, London: Swan, Sonnenschein, Lowrey & Co., 1888, p. 229.
2George Gissing, The Whirlpool, London: Lawrence and Bullen 1987, p. 218.
3Walter Benjamin, Illustrations, ed. Hannah Arendt, London: Jonathan Caper, 1970, p. 226.
4Cf. John Housse, "London in the Art of Monet and Pissarro', in Malcolm Warner, The Image of London: Views by Travellers and Emigres 1550-1920, London: Trefoil Publications, pp. 73-98.
5T. S. Eliot, Selecied Essays, London: Faber and Faber, 1951, p. 289.
6E. M. Forster, A Passage to India, Harmondsworth: Penguin Books, 1969, p. 212.
7E. M. Forster, Howards End, Harmondsworth: Penguin Books, 1968, p. 44.
8Charles Newman, The Post-Modem Aura: The Act of Fiction in An Age of lnflation, Evanston: Northwestern University Press, 1985, pp. 23-24.
10David Bradshaw, "The Eugenics Movement in the Thirties and the Emergence of On the Boiler", in Deirdre Toomey (ed.), Yeats and Women, Hampshire: Macmillan Publishers Ltd., 1992, pp. 15-38.
