摘要
情感作为文学的内核,历来成为一个不争的事实。情感思维理应成为文学的特殊思维方式。从远古的神话到现代的荒诞派文学,不运用情感思维和情感逻辑就根本无法解读。从作家的创作、文本的构成、再到读者的解读,情感思维和情感逻辑始终贯穿于整个文学活动过程之中。
It is always an undisputable fact that emotion is the core of literature. Emotional thought should be a special way of thought in literature. People cannot understand the works at all without using emotional thought and logic from ancient myths to modem fantastic literature. From beginning to end, emotional thought and emotional logic run through the whole process of literature activities such as writing creation, text formation, readers' understanding of the works and so on.
出处
《陇东学院学报》
2006年第4期34-37,共4页
Journal of Longdong University