摘要
音乐的形式和风格作为音乐美学研究中的一个重要课题,其在音乐美学思想的建构中有着特殊的意义和价值。本文将浪漫主义器乐音乐的形式结构和风格形态作为研究课题,从作曲家的审美理想、审美追求,以及审美意识等方面,指出了浪漫主义器乐音乐形式结构与风格形态所体现出的作曲家审美理想的主观性、审美追求的丰富性,以及审美意识的民族性等美学特征,强调了这种美预示着西方美学由理性主义向非理性主义、由传统的单一理性观念或认识向情感、意志等非理性方面的转化,最终揭示出浪漫主义器乐音乐充分体现了欧洲社会从近代向现代过渡的审美理想,并在其中酝酿着走向现代社会的新的审美追求,奏响了现代西方音乐主旋律之序曲的美学本质。
As an important topic of aesthetical research,the formation and style of music have its significant meaning and value in the music aesthetics.As the research topic,it pointed out the feature of the aesthetic ideal which composers,the abundance of taste seek,and nationality of the taste consciousness and other aesthetic rules,emphasize this kind of beauty indicate the western aesthetic is from rational to irrational,from traditional single rational concept or from cognition to sensibility,purpose and other irrational side's transform,finally it opens out the romantic instrumental music materializes Europe society from neoteric to modern sufficiently,and brew in modern society's new taste seek,and materializes the most important melodies' sinfonia of modern western music's aesthetic essence.
出处
《吉林艺术学院学报》
2005年第4期8-20,共13页
Journal of Jilin University of Arts