摘要
戏曲艺术能够在民间广泛流传的原因在于它能够讲述一个故事情节从而吸引观众,因此叙事是戏曲舞蹈动作最为基本的构成要素。以往研究者们所关注的虚拟性和程式性都是为了戏曲叙事的需要而产生的。虚拟性的舞蹈动作是为了克服舞台表演的时空局限同时又确保叙事效果出现的;程式性则是叙事形体语言的固定化、模式化的产物。虚拟性和程式性随着戏曲的抽象化发展虽然获得了独立的地位,但它们仍然是戏曲叙事功能的产物。
Traditional opera can be spreaded so wildly depending on it's narration form. Narration is the basic element in the dance of traditional opera. Most investigators give their attentions to traditional opera s dummy and rule character. This two elements root in the narration element. The dummy character comes from the narration element, and it s the same to the rule character. Although dummy and rule character get their undepended meaning, they are still the come out of narration element.
出处
《吉林艺术学院学报》
2005年第3期4-6,共3页
Journal of Jilin University of Arts
关键词
戏曲舞蹈
叙事
虚拟性
程式性
traditional opera
narration
dummy character
rule character