摘要
西方二十世纪中叶盛极一时的荒诞派戏剧因其怪诞的内容和离奇的形式而被称为“反戏剧”。事实上,它并未彻底颠覆传统戏剧的要素,尤其是在戏剧主题上,依然承担了戏剧的探讨人生这一职责,而在表现形式上则具有了悲剧诞生之初的仪式性特征,因此可以说,荒诞派戏剧仍具有严格意义上的戏剧性。
The western absurd theatre of the midest of 20th century went by the name of the object of the traditional theatre , because of its eccentric content and strange form. But in fact, the theatre of the absurd didn t overthrow the chief factors of the traditional theatre drastically. Especially it s topic bore the responsibility of all the theatre to discuss the human being . And it s form had ceremonial character from which the original theatre came . So we can say that the absurd theatre had proper histrionic still.
出处
《吉林艺术学院学报》
2005年第3期33-35,42,共4页
Journal of Jilin University of Arts
关键词
荒诞派戏剧
人本困境
仪式
The absurd theatre
human difficulty
ceremony