摘要
雕塑是一门凝固了的时空艺术,它能最大限度从立体多维的角度保留所表现客体的形象特征,历经岁月磨砺,历久弥新。而作为中国肖像雕塑典范的秦始皇兵马俑,不仅横穿2200多年的浩瀚历史,以其几近完美的艺术形态,带给现代人以巨大的精神震撼与感染,更坚定而执著地坚守着本属于华夏民族的精神气韵,守望着独具本土意味的民族形象。秦始皇兵马俑肖像雕塑,体现了中华民族独特的美学意识及哲学思想。陈英德曾说过,一个民族形象美的遗失,是民族自信心沦落的最大败征。①研究兵马俑雕塑艺术,正是对华夏民族精神气韵以及独具本土意味的民族形象美的保护与珍视,也为当下人物肖像雕塑创作,指出了一条民族化的发展道路。
Sculptor is an art which freezes the time and the space. As the apotheosis of Chinese portrait sculptor, the Soldier Sculpture of Qin Emperor not only shocked people mentally by its nearly perfect exterior, but also kept our own national spirit. The Soldier Sculpture of Qin Emperor embodied Chinese unique consciousness of esthetics and philosophy. Loss of national exterior is the most symbol of loss of national confidence. CHEN Ying - de once said. The study about the Soldier Sculpture of Qin Emperor is to protect and prize Chinese unique spirit. The study showed clearly a national way for the development of the invention of sculpture as well.
出处
《吉林艺术学院学报》
2005年第3期39-42,共4页
Journal of Jilin University of Arts
关键词
秦始皇兵马俑
民族形象
民族审美意味
民族哲学意味
the Soldier Sculpture of Qin Emperor
national image
national aesthetic impliment
national philosophic impli-ment