摘要
从研究分析古代有关书法意象的论述入手 ,对有关理论进行梳理剖析 。
This author makes a research into calligraphers′ creation from objective existences to calligraphy images, and into people′s association teadency from calligraphy images to abstractions from subjective world and objective existences.
出处
《平顶山学院学报》
2000年第S1期88-91,共2页
Journal of Pingdingshan University
关键词
书法意象
取向
联想方向
calligraphy images
creation
association tendency
