摘要
翁方纲论诗作诗 ,俱仗八股和学问为利器。其“肌理说”与乾嘉之学、八股之学、桐城派文论大有相通之处 ,且有修正“格调说”、“神韵说”之意。其诗最大的失误不在于以学问为诗 ,而是缺乏诗情 ,艺术表现呆板 ,原因是缺乏诗才 。
This paper dwells on the differences and mutual influences between Texture Theory, Style Theory and Romantic Charm Theory as well as various poetic schools.
出处
《闽江学院学报》
2000年第4期36-39,共4页
Journal of Minjiang University
关键词
清代诗论
清代诗歌
翁方纲
肌理说
Poetic theory in Qing Dynasty
Poetry in Qing Dynasty
Weng Fang-gang
Texture Theory