摘要
本文打破“尼采美学没有体系”的成见 ,着力揭示尼采美学的内在体系结构。尼采美学思想经历了一系列发展变化 ,应当以尼采美学思想的成熟期为基准 ,来建构尼采美学思想的体系结构。尼采美学是由艺术哲学和美论两部分组成 ,艺术哲学是其重心所在 ,它由艺术生理学和艺术形而上学两部分构成 ,这两者共同完成“重估艺术价值”的使命。尼采美学的核心概念是“强力意志”。
In this article, the prejudice of “no system in Nietzsche's aesthetics” will be announced to be unreasonable, and the inner systematic structure of Nietzsche's aesthetics will be showed. Nietzsche's aesthetics consists of “philosophy of arts” and “theory of beauty”, and the philosophy of arts, which is made up of “physiology of arts” and “notology of arts”——these two sections together allomplish the task of “re-evaluating the importance of arts”, is the most fundamental part in Nietzsche's aesthetics. The most important concept in Nietzsche's aesthetics is “the will of power”.
出处
《闽江学院学报》
2000年第5期27-29,共3页
Journal of Minjiang University
关键词
尼采美学
强力意志
价值重估
Nietzsche's aesthetics, The will of power, Re-evaluation