摘要
《邯郸记》是汤显祖最后创作的一部戏曲作品,其思想内容历来被认为有人生如梦之叹,具有较浓的消极避世之感情色彩。然而此曲的曲牌唱腔音乐组织形式却显示出另一番思想内涵,即汤显祖是在音乐礼教思想正统性的基础上表现其愤激的感情色彩,这说明《邯郸记》戏曲的音乐意义超越了汤显祖在该剧中自我表现的文字内容。
The Opera of Handan'is Tang Xianzu's last opera. its ideological content has been regarded as expressing life like s dream and has a strong negative feeling. Yet the ideological intension of its music for voice expresses that Tang Xianzu expresses his strong active feeling on the basis of the orthodox ideas of feudal ethics thoughts of music and shows the musical meaning surpasses the word's meaning in the opera.
出处
《东华理工大学学报(社会科学版)》
2000年第3期37-41,102,共6页
Journal of East China University of Technology(Social Science)