摘要
《牡丹亭·劝农》和《南柯记·风谣》的共同点,在于它们都是汤显祖政治理想的艺术寄托,其人物形象,则是他从政实践的形象写照;两折戏的不同点,在于艺术手法各有特色,虚实繁略,相映生辉。
The common ground of 'the Peony Pavilion: Advising Farmers' and 'the Opera of Nanke: Wind Verse' is that both of them are the artistic sustenances of Tang Xianzu's political ideal and the characters' images are expressions of Tang Xianzu's political life .The difference between them is that each has its own features of artistic means .They contrast finely with each other.
出处
《东华理工大学学报(社会科学版)》
2000年第3期42-46,102,共6页
Journal of East China University of Technology(Social Science)