摘要
90年代的中国新诗呈现出既多元无序又彼此渗透互补的情状 ,这是新诗从 80年代的集体狂欢进入到 90年代的个人沉寂写作的必然结果 ;与此相应的诗美营造也出现了一些新现象 ,该文试图对
In 1990's, Chinese new poems took on such a look as diversity, disorder, mutual infiltration and mutual supplementation, which is the inevitable consequence of the collective revelry in 1980's and the individual quietness in 1990's. Therefore, the corresponding poetic charm construction also assumed some new looks. This paper theoretically condenses the poetic charm conceived in 1990's.
出处
《华北水利水电学院学报（社会科学版）》
2000年第3期19-22,共4页
Journal of North China Institute of Water Conservancy and Hydroelectric Power(Social Sciences Edition)
