悲哀与怜悯——试探侯孝贤的“悲情”电影

Sorrow and pity - On the " sadness " movie of Hou Xiao-xian

20世纪80年代,一批新锐导演以一种别开生面的姿态掀起了台湾"新电影运动",其中侯孝贤是台湾电影界里旗帜性的人物,生在台湾这样一座磨难重重又漂泊无根的悲情城市中,他所导演的电影自然大多带有悲伤的情调,他以身为一代大师所具备的悲悯情怀和人文关怀拍摄了从"苦涩的青春"到"沉重的历史",再到"异化的现代"三个阶段的"悲情"电影,从电影中可以读出他对台湾及台湾人民深切的感情。

80 decade of the 20th century,a group of new directors to set off a spectacular gesture of Taiwan＇s ＂new cinema＂,in which Hou Xiao-xian is the banner figure in Taiwan＇s film industry,born in Taiwan this sadness city of suffering heavily and wandering like a rootless,the film he directed usually has a sad natural,he takes three stages of the＂ sadness ＂movie from the ＂bitter youth＂ to ＂the heavy history＂ and ＂alienation of the modern times＂ with compassion and humane care that a master should have,we can read his feelings to Taiwan and the Taiwan Residents from the movie.