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王羲之《兰亭序》墨迹入宫经过辨析

An Analysis of How Wang Xizhi's Scroipt《Preface to the Collection of Orchid Pavilion Poems》was Obtained by the Imperial Court
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摘要 王羲之的《兰亭序》是中国古代书法艺术的瑰宝,它的创作、真伪及流传始终是六朝以来的历史之谜。何延之的《兰亭始末记》是研究这一问题的唯一可信的记载,唐野史的记载在其后,不能因唐野史之谬误而怀疑何延之记载的真实可信。 Wang Xizhi's Script 《Preface to the Collection of Orchid Pavilion of Orchid Pavilion Poems》 is a gem of Chinese ancien calligraphy. The story of its creation, its being genuine or sham has always been a mystery since the time of the Six Dynasties. 《The Whole Story of Orchid Pavilion》 by He Yanzhi is the only reliable historial record in the Study of this problem. The opposite records in the unofficial history of the Tang Dynasty appeared later than that. We should not doubt the truthfulness of He Yanzhi's record only because of the falsehood of the unofficial history of the Tang Dynaty.
作者 卞孝萱
机构地区 南京大学
出处 《南京师范专科学校学报》 1999年第1期15-18,共4页
关键词 兰亭序 何延之 唐野史 Preface to the Collection of Orchid Pavilion Poems He Yanzhi, the unofficial history of the Tang Dynasty
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