乡愁存在与语言逻辑——蒋勋《眼前即是如画的江山》的叙述方式

The Existing Homesick and Language Logic Chinese Department

本文从文本意义的角度出发,解构了蒋勋《眼前即是如画的江山》诗所表现的双重乡愁,从双重感和双组意象两方面阐释了乡愁存在与语言逻辑之间的叙述方式,认为其美学特点是:双重情感(叙述内容)和双组意象(叙述手段)有分离和纠合、有单一和多元、有局部和整体、有历史叙述和现实叙述,共同成为全诗抒写双重乡愁的立足点和结构篇章的内在逻辑。

This article analyses the double homesick in the Jiang Xun's poem《TheLandscape Like a Picture at Present》according to the author's opinion and also expoundsthe form of narrating between the existing homesick and language logic from double moodand double image. Regard its aesthetic viewpoint as: the double mood-the container of nar-rating, the double image-the way of narrating have departure and gathering; sigularity andplurality; part and whole; the historic narrating and realistic narrating. All of them becomethe foothold of the whole poem for writing the double homesick and the inner logic or thestructure of an article.