论柳宗元谪居心理空间与诗境构造方式

Liu Zongyuan's Psychological Space While in Exile and the Artistic Conception of His Poetic Creation Thereat

本文着重从谪居心态方面探讨柳宗元诗歌的诗境构造方式。主要对柳宗元谪居后与释门的交游方面进行深入考察,探索了其山水诗的思想根源,同时通过与韦应物等诗人作品的比较,阐述其诗歌风格的独异性,从而较为准确与深刻地把握住柳宗元诗歌的思想意蕴和艺术风格。

This paper, by stressing an investigation into Liu Zongyuan's mental state while in exile, makes a study of the artistic conception of his poetic creation. Efforts have been made to explore his friendly intercourse with Buddhist monks and believers for elucidation of the ideological origin of his scenic poems, and at the same time a comparison has been made of his poems with those by Wei Yingwu and others for the justification of the unique-sess of his poems, thereby grasping the ideological implications and artistic style of his poems in a relatively precise and profound way.