人性·兽性·神性:陈应松神农架小说的生态叙事

Humanity· Bestiality· Divinity——On the Ecological Narrative of Chen Yin-song's Shennongjia Local Novels

陈应松的神农架小说是乡土文学中生态题材小说的佼佼者。陈应松一反传统乡土作家聚焦于对大地的歌颂与赞美、对故土的眷恋与不舍的写法,而将思考的维度拓宽到自然与人类的关系上,将触角延伸到人类文明进程与自然的冲突、复杂的人性维度以及人类的信仰问题等诸多领域,在前现代、现代及后现代文明的广阔背景下对小说中人性、兽性、神性进行深层的开掘,展示了奇异斑斓的生态叙事,表现了作家强烈的社会批判意识和宇宙万物众生平等的智慧光芒,并在生生不息、众生平等的宇宙精神中实现了灵魂的飞翔。

The Shennongjia local novels by Chen Yin-song take the lead among eco-novels. Chen Yin-song focuses on exploring the relationship between mankind and nature. Through the profound exploration of humanity, bestiality and divinity in the vast context of the pre-modern civilization, modern civilization and post-modem civilization, he demonstrates the colorful ecological narrative and achieves the emancipation of the souls in the universal spirit of vitality and egalitarianism.