教堂里的罂粟花——浅析王延松版《雷雨》的中国式“残酷”

The Poppies in Church——A Brief Analysis of Sino-type "Cruelty" in "Thunderstorm" Directed by Wang Yan-song

自20世纪30年代"残酷戏剧"这一理论提出以来,残酷戏剧便倍受争议,可谓是让人又恨又爱。近年来在中国也出现了一批主体内向化、风格压抑、情境极端的戏剧作品。而在深受儒家思想影响和现代文化冲击下的中国,人们对于这类作品的理解也是各有千秋。本文通过简析王延松导演执导的《雷雨》,试谈带有中国特色的"残酷"。

＂Since＂ cruel drama＂ theory was put forward in the 1930s,the cruel dramas have received the dispute and people＇s love and hate.In recent years there have appeared some introverted-subject,depressed-style,and extreme-situation play works in China.However,in the Chinese background deeply influenced by Confusion thoughts and shocked by modern culture,people have their own different and special understandings for the kind of works.This paper tries to make an analysis of ＂cruelty＂ with Chinese characteristics by ＂Thunderstorm＂ directed by Wang Yansong.