摘要
魏晋南北朝时期是多民族文明冲撞交融、社会秩序重组的特殊历史时期,也是中国佛教发展的重要阶段。山东地区是北方佛教活动的重要地区之一,至今仍保留着北魏时期直到北齐阶段的诸多造像、刻经、寺院等佛教遗迹。基于类型学的方法,研究山东地区北魏佛教造像变化的轨迹,讨论其造型风格来源、流变,结合当时当地佛教传播、社会背景和地域文化特点,寻找造像背后的诸多信息。
In ancient Chinese history,the Northern and Southern Dynasties were a special period,during which multinational civilizations conflicted and integrated,and the society was suffering from disorder and recombination.It was also a vital phase in Buddhist history.Shandong was one of the most important regions as to northern Buddhism propagation,where now remain many Buddhist statues,engraved inscriptions and temples produced from the Northern Wei Dynasty to the Southern Qi Dynasty.The thesis aims at studying the changing traces of Northern Wei Buddhist statues in Shandong systematically,discusses their origins and trends,and tries to find out information behind statues under conditions of phased characteristics of Buddhism propagation,history background and characteristics of regional culture.
出处
《合肥学院学报(社会科学版)》
2011年第6期70-75,共6页
Journal of Hefei University:Social Sciences
关键词
北魏
佛造像
青州
山东地区
艺术风格
Northern Wei Dynasty
Buddhist statue
Qingzhou
Shandong region
art style