摘要
丁玲的戏剧创作虽然缘自于切迫的政治宣传的需要,但由于其"个性思想"这一思想基因的潜在作用,她在创作中仍然表现出了"人性关怀"的非功利诉求。她通过对"爱情"视域的设置、对世俗人伦的关注和对倔强个性的描写,表现出了对"人"的权利的维护、对人伦温情的流连和对反专制斗争精神的赞美。"政治宣传"与"人性关怀"的并置,使丁玲的戏剧创作在意识倾向和主题蕴涵上形成了巨大张力。这不但呈示了丁玲主体意识的矛盾性,而且集中凸现了其1931年转型后的整个创作在意义形态上的复杂性。
Although Ding Ling's dramas were created because of the urgent needs of political propaganda, due to the potential effect of her "personality thinking", she still showed nun-utilitarian demands of "human care" in her creation. Because of the concatenation of "political propaganda" and "human concern", Ding Ling' s dramas formed huge tension in the sense tendency and subject meaning. This not only presented the contradictory of Ding Ling' s consciousness, but also highlighted the sense complexity of her creation after 1931.
出处
《齐鲁学刊》
CSSCI
北大核心
2011年第6期150-153,共4页
Qilu Journal
基金
教育部人文社会科学研究规划基金项目"‘两种文学传统’视野下的丁玲文学道路研究"(10YJA751058)
江苏省社会科学基金项目"两种文学传统与丁玲文学道路研究"(09ZWB004)
关键词
丁玲戏剧创作
政治宣传
人性关怀
Ding Ling' s dramas
political propaganda
human concern