摘要
从发生学的角度而言,带过曲的本质为小令联唱,在元曲的传播中形成,不必有赖套数摆渡才得以出现。在今日所见文人带过曲、套数曲组背后有一个民间用曲唱曲的广大试验场,这才是带过曲诞生的源头所在。当然,在带过曲体式诞生之后,将套数中使用成熟的曲组摘取出来用作带过曲曲牌,是问题的另一层面。套数曲组是汇入带过曲的流,而非带过曲诞生的源。
In the Perspective of embryology, the essence of transitional tunes is a series of little tunes, which is formed in the transmission of yuan verse and does not depend on a cycle of songs. Besides the transitional tunes and cycle of songs made by man of letters, there is a great experimental field of the folks of this art, which is the real origin ,of transitional tunes. Certainly, after its birth it is another issue of taking over the mature form of songs and making it the name of some transitional tunes. The cycle of songs contributes to transitional tunes, but not the origin of the latter.
出处
《求是学刊》
CSSCI
北大核心
2011年第6期98-103,共6页
Seeking Truth
基金
国家社科基金项目"元曲起源考古研究"
项目编号:07BZW040
河北师范大学青年社科基金项目"带过曲研究"
项目编号:W2009Q04
关键词
带过曲
成因
小令联唱
传播
民间
transitional tunes
cause of formation
series of little tunes
transmission
folk