摘要
诗歌的晦涩很大程度上来源于其意象的晦涩,意象的晦涩主要因为诗人借用意象以"传"某"意"而不能"达":诗人派出信使(意象),发出信息(意),信使可以面对读者,信息却不能被解读。意象之"不达意",使诗歌显得隐晦难解。本文主要借用爱尔兰诗人叶芝的诗作与部分理论,试图从意象被诗人借用与指定的产生或"制造"过程,解析意象所承载的诗人个人印记,从而为诗歌阐释与审美寻求全新的途径。
The obscurity of poetry lies largely in the obscurity of its images.That an image might be obscure is mainly because the poet fails in utilizing the image to transmit certain message;the poet sends the mesenger /image with the message;the messenger/image faces the reader yet the message cannot be interpreted or accepted.This makes the poem mute and obscure.This article,mainly resorting to some of the Irish poet Yeats' poems and essays,attempts to look into what happens while an image is borrowed,or designated during the process of image production,in order to analyze the personalized features in an image. In doing this,it seeks to find new approaches to poetry interpretation and poetry aesthetics.
出处
《外国文学》
CSSCI
北大核心
2011年第6期67-75,158,共9页
Foreign Literature
